Tag Archives: Roz DeKett

Enacting in safe spaces the dramas of our lives: Marc Zegans

By Roz Kay “You seem to know a lot about humans,” she whistled, splashing with her hind flippers. “Perhaps you will write it all down for me.” These lines, from Marc Zegans’ poem The Underwater Typewriter (in his new collection … Continue reading

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Seeing the heart of the story: Melissa DeCarlo

By Roz Kay Call it a seven-year itch of sorts. Because seven years after Melissa DeCarlo stopped writing (“I got frustrated … it was almost like I was resentful toward it”) she started again, and the result is her first published novel, … Continue reading

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Developing dramatic tensions through fiction: Kim van Alkemade

By Roz Kay If she hadn’t stumbled on a handwritten note in the minutes of a long-forgotten committee meeting, Kim van Alkemade might not have given us her powerful debut novel. Orphan #8, inspired by life in an orphanage for Jewish … Continue reading

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Query letters to literary agents: Don’t be weird

By Roz Kay Literary agent Janet Reid runs the Query Shark web site. There are some of my notes from her talk at the 2015 Writer’s Digest Conference in New York City. I’ve posted about the right way to query literary … Continue reading

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Exploding the Emily Dickinson myth: Nuala O’Connor

By Roz Kay Nuala O’Connor’s third novel, Miss Emily, alternates perspectives between the American 19th century poet Emily Dickinson and a fictional Irish maid, Ada Concannon. “I wanted to explode the myth about Emily being the complete recluse,” Nuala O’Connor … Continue reading

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The kind of stories that bring us together: Dorothea Benton Frank

By Roz Kay “I think we’re all kind of in the same boat,” says Dorothea Benton Frank. She’s talking with me about her readers and her new novel, All the Single Ladies, published in June by William Morrow. “We’re dealing … Continue reading

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Writing from a deeper place: Ellen Sussman

By Roz Kay As Ellen Sussman’s second “French” novel, A Wedding in Provence, comes out in paperback, we talked about the attraction of France as the setting for two of her four published novels. “I knew that I wanted to … Continue reading

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Looking for the emotional truth: Maureen Gibbon

By Roz Kay In thinking about Maureen Gibbon’s writing, I see similarities between her art and Édouard Manet’s painting Olympia, a detail of which illustrates the cover of her third novel, Paris Red. Victorine Meurent, the model for the painting, is the … Continue reading

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Original voices exploring dangerous things: Jacqueline Goldfinger

By Roz Kay “The problem we seem to have in contemporary American theatre,” says Jacqueline Goldfinger, “is that we have poo-pooed the way that storytelling is working in our society today.” Jackie, an award-winning playwright and playwright-in-residence at Philadelphia’s Azuka … Continue reading

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Enriching history with a story-teller’s voice: Hazel Gaynor

By Roz Kay Hazel Gaynor’s second historical novel,  A Memory of Violets, tells the tale of two orphaned Victorian flower sellers, seen through the troubled eyes of Tilly. Tilly stumbles on the story of Florrie and her sister Rosie in 1912 … Continue reading

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